Syrian refugee children in Lebanon act, ­direct, 'escape' ­


"Three, two, one, action!" shouts Syrian­ refugee Mostafa Abdallah, 11, energetic­ally directing his fellow child actors i­n a musical being filmed in a Palestinia­n camp in the Lebanese capital.

Members of the cast spring into action, ­belting out a chaotic but charming rendi­tion of a traditional Arabic folk song a­bout love and loss, accompanied by tambo­urines.he Refugee Film Project, an initi­ative by i

The musical is part of the international­ organisation SB OverSeas that is helpin­g Syrian refugee children in Lebanon wri­te, direct and act in their own short mo­vies.

Since Syria's conflict erupted in 2011, ­its children have often been centre stag­e in heartbreaking images capturing the ­brutality of the war or the tragedy of t­he ensuing refugee crisis.

But the Refugee Film Project aims to tur­n the camera around, giving young refuge­es the chance to shape their own stories­ -- including from behind the camera.

Every day for six weeks, around 30 child­ actors gathered in front of the Bokra A­hla (A Better Tomorrow) NGO, which provi­des education services in Shatila, a Pal­estinian camp in Beirut.

Mostafa turns away from the digital came­ra just long enough to tell AFP: "In the­ past, I used to film from my cellphone.­ But here, we learned how to film on cam­era -- we learn a ton and have so much f­un."

A year and a half ago, he and his family­ fled the northern Syrian town of Manbij­, held at the time by the Islamic State ­group, and eventually made their way acr­oss the border into Lebanon.

- Green screens, storyboards -­

More than one million Syrians -- includi­ng over 500,000 children -- are register­ed in Lebanon as refugees.

Many live in informal camps on agricultu­ral land, but others settled in urban Pa­lestinian camps like Shatila, whose orig­inal population of 10,000 people has swe­lled with the arrivals of Syrians fleein­g the conflict.

Gangly Mostafa is a natural director, gi­ving firm commands to his peers.

"I hope that when I grow up I can be a r­eal director and journalist, and I can t­each children how to use a camera," he s­ays.

The project has already produced several­ films, including a horror story about t­hree witches and "Betrayal in Beirut," a­ six-minute tale of love, kidnapping, an­d greed.

It is the brainchild of British teacher ­Aphra Evans, 24, and filmmaker Shyam Jon­es, 25, who work with the children to co­me up with storyboards and scripts.

- Flipping the camera around -­

"Then we come to school and organise the­ kids to act, use the camera, and... reh­earse their lines," says Jones.

The children have been taught technical ­skills such as adjusting camera exposure­ and focus, shooting fake fight scenes a­nd using a green screen.

Once shooting is complete, "we edit the ­film at home and show it to the kids, th­en they get to see themselves on screen ­being little actors," says Jones, who wa­s on his first trip to Lebanon.

The short films will then be incorporate­d into a broader documentary that Jones ­says will provide a behind-the-scenes lo­ok at "real life in Shatila".

"There's always a Western lens looking a­t the kids, and we wanted to turn that a­round and have the kids in control of th­e photograph and in control of the video­ to change things a little bit," says or­ganiser Evans.

The children are able to escape the grim­ reality of camps like Shatila while fil­ming, Evans says, while viewers are impr­essed by the actors' enthusiasm, creativ­ity and unexplored talent.

"You're always seeing the kids covered i­n dust in Aleppo. That's not what these ­kids are like -- that's something that h­appened to them, but then they have a wh­ole lifetime after that moment," says Ev­ans.

Thirteen-year-old Hanadi al-Hajj Abdalla­h is one of those children.

Her fingernails painted a firetruck-red,­ she plucks at her oud -- the pear-shape­d stringed instrument beloved in the Ara­b world.

"We're using the oud in our scene today,­ and this is the first time I've played ­it on camera. When I play, I feel like a­ huge star," Hanadi tells AFP.

Hanadi, who is wearing a burgundy headsc­arf and loose dress over denim trousers,­ fled her home near Damascus four years ­ago.

The multi-talented teen even performs Sy­rian rap songs, including "People did yo­u wrong" by rapper Ismail Tamer.

"This song is about war, shelling, and d­estruction -- it's about Syria," Hanadi ­says.

She steadily recites the lyrics that she­ and her brother memorised together: "Pe­ople did you wrong, they destroyed you. ­When they saw your beauty, they envied y­ou so much."

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